• How to Tie Harp Strings
• The Story of Shinichi Suzuki

This section of the website is designed to showcase concerts, tours, competitions, etc. 

• AHS Competition Results, 2009
• Suzuki Harps go to Spain
• Harps to Spain, a student’s perspective

If you have an item written up that you would like to submit, please see the guidelines below, then contact our Website Editor.

Guidelines:

1. Please only submit items that will be of interest to other Suzuki harpists (this includes teachers, parents, and students), or that spark ideas for use in their studio. 
2. Attachments (like photographs) are encouraged.
3. Please have your item written in a usable form.  Our editor is happy to edit, but not willing to write the whole thing!
4. Remember that we also have a category called “Articles of Interest” for more in-depth articles of an educational nature, and a discussion forum to share ideas and comments. 

When deciding what music to include in the Suzuki Harp Books, there are always several valuable pieces that have not been included for various reasons. This is a list of pieces the SAA Harp Committee feels have merit and that you may wish to use as supplementary music for the various books.

We have tried to list some of the technical and musical points that are particularly valuable to each piece.

Available from Lyon & Healy and Kolacny Music.

Back row: Elizabeth White, Carrie Brown, Emily Clarkson, Amy Buescher; Front Row: Kira Krupa, Caroline Richards, Kinsey McNevin; Not pictured: MacKenzie Hammel, Emily Levin

Several Suzuki students entered the American Harp Society (AHS) competition this year.  Nine of them made it to the final round held in Salt Lake City, June 26th – July 2nd.  Every one of them lived up to their Suzuki training and played beautifully!!

The final results were as follows:

Junior Division

• Caroline Richards, 4th place

Intermediate I Division

• Kinsey McNevin, 1st place and special prize for the best Litton Prelude
• Kira Krupa, 3rd place
• Carrie Brown, 4th place
• Amy Buescher, 5th place

Intermediate II Division

• Emily Clarkson, 4th place (tie) and Salzedo prize for the best Whirlwind
• MacKenzie Hammel, 4th place (tie)

Advanced Division

• Elizabeth White, 2nd place and Salzedo prize for the best Variations on a Theme in Ancient Style

Young Professional Division

• Emily Levin, 3rd place

Lyon & Healy Awards

• Elizabeth White (one of three prizes awarded)
• Emily Levin (honorable mention)

For the AHS competition, the list of three required pieces is published a year in advance.  The music is very difficult for the given age group.  Students are required to submit a CD of the three pieces by April 1st.  Over 30 CD’s were submitted for each division, and only 6-8 students were chosen to be finalists.  Our congratulations to each of these students for their fine work!!

And of course it would not have been possible without the guidance of their Suzuki teachers:  Delaine Fedson, ShruDeLi Ownbey, Mary Kay Waddington, and Jane Zopff.

And finally, a word of congratulations to all of those students who learned the music and submitted CD’s but were not chosen as finalists.  Each of them grew tremendously in their musicianship through this experience!  Fantastic job, each and every one of you!

(If we missed any Suzuki students who were in this competition, we sincerely apologize.  Please contact us so we can add you to the list.)

Hola!!

Four years ago, the Brenn family moved from Minnesota to Europe.  They were a very active family in LS-STEP (Lake Superior Suzuki Talent Education Program) with five children all playing instruments (harp, cello and violin).  Tiffany (the mother) also served as an executive member of the parent board.  We were sad to see them move away.

When Tiffany investigated options for her children to continue their Suzuki education, she found a Suzuki program which offered instruction for violin and cello but not harp.  After hearing about this, I assured her that Natasja and Sacha would be fine studying with a traditional teacher (yet to be found).  In conversation with Tiffany, I suggested, “How about if I give the girls music to work on and then come to Europe to follow up on it?” I was not kidding.  Natasja and Sacha did eventually find a harp teacher, Ana Maria Reyes Rojas.  She was not a Suzuki teacher but willing to teach from the repertoire.  Well, one year passed . . . and then a second year.  Finally Tiffany said, “Are you coming???”  After many discussions we started actively planning to bring a group of Suzuki harp students to Spain.  When things started to fall into place it gave us the encouragement to proceed.

The most difficult part of setting up the trip was finding pedal harps.  In June of 2007 I was promised 7 pedal harps for the group.  This was awesome!  The biggest obstacle had already been overcome.  Of course that turned out to be too good to be true.  Several months later after numerous emails rerouted to more addresses than you can imagine, I was offered only 3 pedals harps, at a cost of over $4000 for 4 days!!  Needless to say, I was feeling defeated and disappointed.

The next step involved finding a translator so we could try to negotiate with the people offering the harps.  That reduced the fee a little, but it was still prohibitive.  We were starting to panic at this point because the students needed to purchase their plane tickets, but couldn’t until we were sure we had harps!

Transporting harps in Spain

Finally I contacted Lyon & Healy in Chicago and Salt Lake.  They spent a great deal of time working out a deal with Salvi harps.  At last, I had found the support I was looking for.  I am so thankful for ShruDeLi Ownbey of Lyon & Healy West and  Marco Ghibaudo, General Manager of Salvi Harps.  Because of their work, we were finally offered 3 pedal harps and harp movers!!  They are our heroes!

In counting the 4 harps the Brenn family owned (2 lever, 2 pedal) and their teacher’s pedal harp, our group was fully equipped (with a little creativity).

Rehearsal on Madeline Island

Meanwhile, we had been busy preparing for the tour.  The planning included exchanging many emails to arrange performance venues and plan the program.  In an attempt to develop a complete vision, we met on Madeline Island at the Brenn’s summer home in August of 2007.  LS-STEP harpists and a few parents traveled to the island with harps and swimsuits to spend 2 days practicing and figuring out a concert program. We started working early,  stayed up late and had a great time doing so.

When we arrived in Spain, all three of the Salvi-provided harps were where we needed them.  Theresa & Jesus Suárez were very gracious and accommodating with the instruments, moving not only the ones from their store, but the extra instruments that could not fit into the other vehicles.

We performed two concerts – one in a local School, and the other, in conjunction with the Suzuki School, at a beautiful Cathedral.  The concerts went very well.  It was extemely motivating to play for audiences who were so attentive and intrigued by our playing.  I don’t think anyone even made a sound during the performances!  Our audiences had never seen so many harps in one place at one time.  

Our Espana program included string accompaniments for several pieces.  Tuesday’s program is attached.  (The Chanson Dans La Nuit  by Carlos Salzedo and the Sonatina by Muzio Clementi with orchestra were accidentally omitted from the written program.)

The students all played so beautifully!

We returned to the United States with a lot of excitement and enthusiasm to do this again.  It was a very rewarding experience for all who were involved.

 We would like to give our special thanks to:

• The Suzuki Orchestra under the direction of Jose Maria Druet
• Cellists: Ann Heyer; Tiffany, Tatjana and Tobias Brenn
• Central High School musicians: Katie Ozan, clarinet; Trevor Cotter, oboe; Jessica Paul, flute; Erin Maly and Sunny Nguyen, violin; Ann Heyer, cello; and Keenan McIntyre-Talbot, string bass.
• Harpists:  Claire Gamble, Azalea Ginete, Grace Heyer, Kailee Lemire, Mia Minkkinen, Katie Sieger, Natasja and Sacha Brenn
• Instructors: Janell Lemire and Ana Maria Reyes Rojas 

And lastly – a huge thank you to Tiffany Brenn for helping to make it all happen.  The Brenn’s hospitality is like none other.  We had an incredible experience!!!

Gracias,

Janell Lemire